SEARCH RESULTS FOR: McKinney’s Cotton Pickers
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(Instrumental group, 1926–34) Formed in 1926 by drummer Bill McKinney (1895–1969), this Ohio-based big band improved significantly after hiring arranger Don Redman from Fletcher Henderson’s band in the summer of 1927. For the next four years, until Redman left in 1931, McKinney’s Cotton Pickers rivalled both Henderson’s and Duke Ellington’s orchestras for ensemble precision. The band’s trumpeter and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, b. 1935) James Henry Cotton was born in Tunica, Mississippi and was inspired by hearing Sonny Boy Williamson II (Rice Miller) on the radio. He worked with his mentor from the late 1940s until 1953, when he made his recording debut for Sun Records. He joined Muddy Waters in 1954 and played with him, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, yodels, 1925–97) Although she might only be a footnote in country-music history, Arkansas-born Carolina Cotton was a prolific entertainer in the West Coast’s post-war era. Known as the ‘Yodelling Blonde Bombshell’, she first gained attention working with Spade Cooley’s Orchestra, then furthered her western-swing association by touring with both Hank Penny’s and Bob Wills’ bands. She ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

(Alto saxophone, clarinet, vocals, composer, arranger, 1900–64) Renowned for crafting the polished sound of the mid-1920s Fletcher Henderson Orchestra, Redman’s innovative arrangements pre-dated the swing era by a decade. His sophisticated compositions were significantly affected by the driving, swinging trumpet work of Louis Armstrong, who played in Henderson’s orchestra throughout 1924. The conservatory-trained ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

When Vassar Clements formed a band called Hillbilly Jazz in 1975, Bill Monroe’s former fiddler pulled the cover off the hidden connection between country music and jazz. The two genres had more in common than most people thought. After all, Jimmie Rodgers recorded with Louis Armstrong early in their careers; jazz legend Charlie Christian debuted on Bob Wills’ radio ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

If you look for country music’s Big Bang, there is nothing more momentous than Bristol, 1927. Within four summer days, two stars appeared that would change the cosmology of country – remap the sky. And it all happened in a disused office building in a quiet mountain town perched on the state line between Virginia and Tennessee. Why ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Hank Williams and George Jones would have found the whole notion of alt-country unfathomable. Why would anyone seek an alternative to bestselling country records ? For these sons of dire southern poverty, the whole point of making country records was to sell as many as possible and maybe catch hold of the dignity and comfort that a middle-class life might ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

In the nineteenth century, country music belonged to fireside and family, to the frontier town and the backwoods hamlet. Four decades into the twentieth, it was utterly transformed, driven headlong into the new world of the new century. First, fiddlers’ conventions and other public events provided a context of competition and offered the musician the chance ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

The first African slaves arrived in America in 1619 and brought their music with them. From then until the Civil War of 1861–65, the music both fascinated and frightened the white slave owners who would flock to see the black people celebrating their weekly ‘day off’ in New Orleans’s Congo Square. At the same time, slave owners suppressed the ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Alabama, who appropriately came from Fort Payne, in Alabama, emerged into the spotlight in 1980, when ‘Tennessee River’ topped the Billboard country charts. Three group members – Randy Owen (guitar, lead vocals, b. 1949), Teddy Gentry (bass, vocals, b. 1952) and Jeff Cook (keyboards, fiddle, vocals, b. 1949) – were ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

When the great Mississippi musician Riley King left the cotton fields to seek his fortune in Memphis in 1946, he had $2.50 in his pocket and a battered guitar in his hand. Today, his name is synonymous with blues music itself, yet his ascendance to the zenith of the blues world never altered his friendly, downhome ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Harmonica, vocals, b. 1951) Branch began playing harmonica at the age of 10, before polishing his onstage technique in Chicago with Big Walter, James Cotton, Junior Wells and Carey Bell. In 1975 he became a sideman for Willie Dixon and then formed Sons of Blues with Lurrie Bell (guitar). Branch continues to front the band and ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Blind Lemon Jefferson (c. 1893–1929) opened up the market for blues records in 1926 when ‘Got The Blues’, backed with ‘Long Lonesome Blues’, became the biggest-selling record by a black male artist. It brought him the trappings of success, including a car and chauffeur, and he released nearly 100 songs over the next four years, before his death. ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Piano, vocals, songwriter, publisher, 1895–1955) A Memphis riverboat pianist and bandleader, Miller got into the publishing and songwriting business in his twenties. Moving to New York, he worked for several labels as a record producer, supplying acts like Gene Autry and Cliff Carlisle with material of his own, such as ‘Twenty-One Years’, ‘Seven ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

Brad Paisley (b. 1972) is that rare country music star whose guitar-playing prowess equals his singing and songwriting talent. Paisley recorded five gold or platinum albums between 1999 and 2008 and had 10 No. 1 singles on the country charts. His guitar playing on those records proved him to be one of the most accomplished pickers in Nashville. Brad Douglas Paisley ...

Source: The Illustrated Encyclopedia of Guitar Heroes, consultant editor Rusty Cutchin
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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Classical, Rock, Blues, Jazz, Country and more. Flame Tree has been making encyclopaedias and guides about music for over 20 years. Now Flame Tree Pro brings together a huge canon of carefully curated information on genres, styles, artists and instruments. It's a perfect tool for study, and entertaining too, a great companion to our music books.

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